Come away, O, human child!
To the woods and waters wild
With a fairy hand in hand,
For the world’s more full of weeping than
you can understand.
The Stolen Child, W. B. Yeats
I came across this poem yesterday, and I think it perfectly describes the plot of Wednesday's piece! Or, at least, my villain's motivation. "For the world's more full of weeping than you can understand."
This was just a WonHundred Word Wednesday post that I wrote at the last minute. It wasn't intended to be some big thing. But ideas for this story keep pouring in, and I'm loving every bit of it. It's hard to say why some stories catch on and others don't. But this one wants to be a novel when it grows up.
Of course, a lot changes in a story between when it's just a few ideas sketched down in prose form and when it becomes a novel. I think Ellie may have a brother who was carried away to Fairyland. I'm excited to see how the whole thing develops.
But, I need to focus on Magicland right now if I'm going to finish it by September. This fairy story has to wait in line with Codswallop and the others. I've always got a million stories that want to be written, but focus is what leads to finished novels.
And I'm really excited about the direction Magicland is taking. My friend Quinlyn and I have been working on characters together, and we sort of broke Clara last night. But it occurs to me that Clara was already broken. So I'm going to emphasize that more within the story. And I have some other great ideas that I probably shouldn't spoil, since I like to think that all the people who read my blog (all four of you; I love you guys!) would also read my novel.
Let it suffice to say, therefore, that I am making progress, though I haven't done a lot of writing in the past few days (at least, not in Magicland.) I'm stuck on Chapter 8 again. Chapter 8 is the chapter that gave me the most trouble in The Witch's Key. It's becoming a theme. I think I might start skipping Chapter 8 the way hospitals skip the 13th floor. It could be my signature thing... you know, along with adding a personification of death into every story.
Le gasp! I don't have a personification of death in Magicland! This needs to be rectified. Guess I have some brainstorming to do. I'll get right on that (i.e. watch Leverage.)
♥/Kat!e
Where
dips the rocky highland
Of
Sleuth Wood in the lake,
There
lies a leafy island
Where
flapping herons wake
The
drowsy water rats;
There
we’ve hid our faery vats,
Full
of berrys
And
of reddest stolen cherries.
Come
away, O human child!
To
the waters and the wild
With
a faery, hand in hand,
For
the world’s more full of weeping than you can understand.
Where
the wave of moonlight glosses
The
dim gray sands with light,
Far
off by furthest Rosses
We
foot it all the night,
Weaving
olden dances
Mingling
hands and mingling glances
Till
the moon has taken flight;
To
and fro we leap
And
chase the frothy bubbles,
While
the world is full of troubles
And
anxious in its sleep.
Come
away, O human child!
To
the waters and the wild
With
a faery, hand in hand,
For
the world’s more full of weeping than you can understand.
Where
the wandering water gushes
From
the hills above Glen-Car,
In
pools among the rushes
That
scarce could bathe a star,
We
seek for slumbering trout
And
whispering in their ears
Give
them unquiet dreams;
Leaning
softly out
From
ferns that drop their tears
Over
the young streams.
Come
away, O human child!
To
the waters and the wild
With
a faery, hand in hand,
For
the world’s more full of weeping than you can understand.
Away
with us he’s going,
The
solemn-eyed:
He’ll
hear no more the lowing
Of
the calves on the warm hillside
Or
the kettle on the hob
Sing
peace into his breast,
Or
see the brown mice bob
Round
and round the oatmeal chest.
For
he comes, the human child,
To
the waters and the wild
With
a faery, hand in hand,
For
the world’s more full of weeping than he can understand.
No comments:
Post a Comment